首页 / 《人约离婚后》

A collection of horror stories involving cannibals, zombies “and other funny creatures”.

电(📿)影(yǐng )讲(🍟)述了(le )天蛊门(mén )蛊师蓝左，于(yú(🏢) )70年代初(⌛)(chū )在苗(⛴)疆(jiāng )逃(✴)亡时滚(🔮)入未知山洞(dòng )。多年(nián )后，在千年一遇(⏹)的血(xuè(🥁) )月之夜(🔊)(yè )，蓝左(🙅)曾经的(🏙)队友刘(liú )洪绑架(jià )了8名至阴(🌇)女性炼(🔅)“活(huó )人(👧)蛊”，企图(🔬)复活上(💁)古时期(qī )的蚩尤(yóu )，让血蛊门(🥃)东山再(🦅)起(qǐ )、(🌶)扬名(mí(🎁)ng )世界。就(❕)在此时，当(dāng )年跳崖(yá )的蓝左(🕡)(zuǒ )，返老(📁)还童成(👱)(chéng )“小鲜(🧚)(xiān )肉”重(🥛)(chóng )现人间，联手(shǒu )以苗医(yī )身(⛵)份隐(yǐ(😆)n )匿江湖(🍸)的妻子(👐)(zǐ )蓝姨(🚷)，高校叛(pàn )逆学生妹蓝湘婷，与(yǔ )刘洪(🎯)对(duì )决(⛎)一场大(👧)虫师之(🎨)异形(xí(🎻)ng )大战，以阻止这场人间浩劫(jié(🤟) )。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

“NO BORDER 2D×3D” をキ(🐒)ャッチ(🌫)フレー(🚽)ズに掲(✌)(jiē )げ、2Dと3Dの境目をなくすク(🏷)リエイ(👙)ティブ(📖)な活動(⏫)を目指(📿)す３DCGプロダクション“Picona Creative Studio”。本(běn )作(📽)はどん(♏)なもの(💂)でも捨(🎆)ててみ(🌊)せるゴミ捨て屋コンビと、(🍫)魔法(fǎ(🍭) )を捨て(🥜)たい魔(👆)(mó )女が(🔤)繰(qiāo )り広げる、ファッション× ポ(💏)ップ×(🤰) アニメ(🖊)をキー(🐭)ワードに魔(mó )法と科学を絡み合わ(✌)せたス(🛳)ラップ(🐚)スティ(💻)ック・(⌛)アニメーション。同社が長(zhǎ(📒)ng )年温め(🏚)てきた(🚙)オリジ(🏯)ナル企(🚟)(qǐ )画が、ついに実現！

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

나만 사(🐦)랑하겠(📀)다던 그(🛐)놈이 떠(🎰)났다. 평(🥓)생 한 명의 남자만 만나온 "오선(🐽)영"의 첫(🧗) 실연 극(🤢)복기