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故事发(💫)生(😣)在清莱(lái )的一个(gè )小城(👼)(chéng )镇，在(🗞)监狱一(🐶)年(🦕)一(yī )度(🈵)的家(jiā )庭日(rì )那天，阿宁(📞)带着她(⛎)十(📹)岁的(de )孩(🎢)子(zǐ )小恒，去监狱看望他(🔁)(tā )的爸(🍤)(bà(✉) )爸，因为(🏟)阿(ā )宁(❣)收到了他丈夫的(de )一个好(🗓)消(🗂)息(xī )......

明(🚤)朝中叶，皇帝怒(nù )查军粮(liáng )亏空(🍣)(kō(🚄)ng )，钦定为(💟)空印案。三法司(sī )衙（俗称六扇门(🍾)）奉命(🐡)追(🤼)查，以季(jì )同归为(wéi )首的(🖤)捕头反(🎹)被陷害(🚉)(hà(⛵)i )，无奈之际(jì )隐姓埋名继(❎)续追查(😉)(chá )。案件(📔)(jià(💤)n )明朗(lǎ(🗝)ng )，东厂提督与国相(xiàng )先后(😦)叛(pàn )乱(💶)，危(🥛)难之际(🚓)六扇门联合锦衣(yī )卫挺(🤬)(tǐng )身而(🍸)出(🥨)(chū )。

一次(😾)失误让(🕸)(ràng )星宇(yǔ )保全(quán )老将邓(🛃)(dè(🏚)ng )博萌生(📮)退意，在最(zuì )后一单任务(wù )中与(🥨)保(🎭)护对象(🔸)李俊(jun4 )生，在(zài )绝境(jìng )之中擦出爱情(🔭)火花(huā(🌭) )，经(📲)历(lì )生死(sǐ )危机之后，邓(🌂)博以为(🕙)自己(jǐ(🦏) )找(🌟)到(dào )人生归(guī )宿。孰知李(🏉)俊生此(🧘)(cǐ )行另(🔼)有(🎍)目的(de )，邓(📞)博陷入爱情与(yǔ )正义的(🏫)(de )艰难(ná(♟)n )抉(🎴)择。

辉煌(🛢)的吉檀(tán )迦利家(jiā )族只(🤩)(zhī )剩下(😙)公(〽)主一个(🌓)人，当了(🕞)“女王(wáng )”的她(tā )与权力至(🐘)上(👸)的(de )政客(🚷)(kè )发生(shēng )矛盾，不知道如何面对(🥄)以(🌛)(yǐ )后的(🎻)种种问(wèn )题。还好先王最信(xìn )任的(💼)贴(tiē )身(🏥)保(bǎo )镖巴瓦尼在女王左(zuǒ )右协助(🐜)(zhù )她打(⛎)(dǎ(💷) )理一切，慢慢的女王与忠(💒)(zhōng )诚的(🍔)(de )巴瓦尼(💹)(ní(🦀) )走得越来越近。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

青(qīng )年画家岸春(🕵)(chūn )自小(🕴)在(➰)内蒙古(🌓)长大(dà )，当地的风(fēng )土人(🗂)情造就(❄)了(👿)他的(de )艺(📣)术才(cái )华。然而在他的内心一直(🐎)有(🍶)着(zhe )一块(🛏)(kuài )难以抚(fǔ )平的伤痕，过早缺(quē(👓) )失(🐔)的(de )母爱(🧐)让(ràng )这位人前光鲜的艺(yì )术家在(🕌)情感(gǎ(📵)n )里陷入迷失，常以(yǐ )酒精为(wéi )伴麻(🗣)(má )醉自(🏷)我(💜)。当受一位(wèi )蒙古老(lǎo )人(🕳)所(suǒ )托(🤹)，为他英(😛)年(🏹)早逝的母亲(qīn )画一(yī )幅肖像(xià(🦀)ng )，这个母(📃)亲(⏩)的肖像(🥞)(xiàng )却怎么都画(huà )不出神(🔋)。对于母(🏤)爱(🥤)(ài )缺少(🥓)感触与(yǔ )理解，成了他无法(fǎ )落(🤡)笔(🍐)的(de )难题(🚺)(tí )。心烦意乱之时，岸春遇(yù )到了(🐃)(le )单(🎠)身妈(mā(🛷) )妈如西，如西和儿(ér )子的(de )温情不(bú(🦋) )仅让他(🍣)感受到母爱(ài )的温暖也让(ràng )他找(😎)寻到了(🧝)爱(🎨)情的(de )味道。但是(shì )，母亲到(🕖)底为什(🎥)么(me )会从(🌇)小(👟)(xiǎo )抛弃(qì )自己，在日日夜夜的叩(🎲)问(wèn )中(💝)，也(📯)在如(rú(🕥) )西的介入下，似乎(hū )有了(🚜)意想不(🔔)(bú(➡) )到的答(💈)案，岸春也(yě )踏上寻母之(zhī )路。母(😴)亲(🤫)的肖像(🎑)到(dào )底能否(fǒu )兑现(xiàn )给蒙古老(🚾)人(🕚)的期盼(🌍)？岁月(yuè )里母(mǔ )爱的真相会怎样(⛱)揭开？(➕)原(yuán )来，岸春的(de )母亲一直以一个特(🔡)(tè )殊的(🔳)身(🤭)份出(chū )现在他的生活里(🔜)！面对时(🐃)(shí )间、(🥨)面(📗)对生命的脆弱多(duō )变，只(zhī )想向(🗿)(xiàng )岁月(♓)祈(🚖)求，时光(👉)你慢些走(zǒu )，让(ràng )儿子还(👸)(hái )能记(㊗)下(🐊)母亲的(🔗)(de )容颜(yán )......

In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.

泰国边境，1997年。

年輕媽媽凱(🕜)西(📖)(xī )為了(⛪)逃離家(💻)(jiā )暴的陰影，帶著三(sān )個(👫)小(🔱)孩(hái )住(💶)進(jìn )了一幢舊屋。原本以為這(zhè )會(😢)是(shì )破(🐇)碎家庭的避風港，沒料(liào )到入(rù )住(😏)之後(hò(💧)u )，才(🈁)是一連串心神(shén )不寧的(🏡)開始(shǐ(💼) )。

In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.