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  • 《夜关门欲望之花》
    《夜关门欲望之花》
    分类: 动漫 动漫
    地区: 中国大陆
    年份: 2025
    导演: 艾斯林·沃什 Aisling Walsh
    主演: 叶仙儿
    状态: 第7集
    • 线路一
    • 线路二

    The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.

    Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

    Au Ve siè(🥂)cle, la ville d’Aquilée, prè(🌚)s de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité(🌗), a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’(😳)un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…(🍎)

    清(qīng )末民初,日(rì(💓) )本人以(😩)荣亚(yà )矿业公司为壳(🎷),瞄上(🌺)了南灵(líng )镇的皇(⛵)墓,试图盗取国(guó )宝,荣(😡)亚矿(kuà(🕔)ng )业的(🏵)负责人(rén )藤川负(🗃)责调(🌔)查“镇灵玺”。一日,收(🦈)到(dào )线(🏂)报,称南(nán )灵镇花家少(🕓)(shǎo )爷(🔟)花易天在(zài )最近(🍸)的一次(📘)倒斗中,掌握了(💭)(le )国宝线(👛)索。藤(🚀)川盯上了(le )花易天(🍍),而(é(🕧)r )此时,花易(yì )天一(👰)方面要(🐵)面对日本人的虎(hǔ )视(♿)眈眈(➕),一(yī )方面遭到了(🕣)(le )花家分(⛓)舵主(zhǔ )王中鹤的反水(🎐),失去(🗝)了花家镇外六部(🕐)势(shì )力。内忧外(wài )患之(📼)下,花(huā(🦍) )易天(🔀)以肥斗(dòu )美差招(🐤)来了(🦀)高手慕长风助自(🍝)(zì )己一(🍅)臂之力(lì )。机缘巧合(hé(🍜) )下爱(🕡)上了花(huā )易天青(🍒)梅竹(zhú(🤗) )马的未婚妻唐(➰)婉云的(💙)慕长(🚿)风(fēng )与花易天里(😫)(lǐ )应(👞)外合,在(zài )“花魁十(🌪)年(nián )庆(🎬)”时清盘(pán )了王中鹤势(⏩)力。没(⬜)想到逃走(zǒu )的王(📙)中鹤绑(📢)(bǎng )架了唐婉云(yún )和花(👹)易天(🍣)极(jí )尽折磨,虽然(🏟)二人侥幸逃出,但是花(🤲)易(yì )天(💺)身体(🐘)和精(jīng )神全都元(🐊)气(qì(👒) )大伤,一蹶(juě )不振(❓)。花易天(🔻)能否重新振作(zuò )?又能(⏯)否联(😓)手(shǒu )慕长风终结(⭐)(jié )日本人的阴(yīn )谋,守(⛪)护住(zhù(🏏) )属于(🖱)中国的镇灵宝?

    UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

    阿(👛)呆和(🌷)阿(ā )瓜是一对非(📛)(fēi )常要(🛃)好的朋(péng )友,他们觉(jià(🕘)o )得凭(🐒)借自己(jǐ )的力量(📯)可以修(🕒)理一切,有麻(má )烦发生(🤛)时,只(🐌)要开动脑(nǎo )筋,利(🦌)用手(shǒu )边的工具都可(🦌)以搞定(🎸)。人们(👫)总会被他们(men )的“错(👪)误”行(🤥)为逗笑,觉得他们(🖐)有(yǒu )点(🚥)笨,大部分时间会把事(🌶)情(qí(👢)ng )搞的更糟,但是呆(♋)瓜兄(xiōng )弟总能自己(jǐ(⛰) )做的事(⏰)情中(🍾)(zhōng )找到“自己的路(👒)”,并对(🧀)自(zì )己努力之后(🌟)(hòu )的结(📞)果感到(dào )满意。因为(wé(👦)i )他们(🕧)坚信一(yī )句话“伟(⛔)大的创(🌋)造在最开始(shǐ(🚰) )的时候(💵)也不(🔋)(bú )是完美的,关键(🎺)的是开(kāi )始的勇气”。

    "Heidi (Osment), who initially left her small town of Pleasant Valley with the dream of one day becoming a successful painter, has put her own art on hold to excel as an art gallery curator. Now, a week before the gallery's big Christmas party, she must return home to watch her niece and nephew. She comes face to face with her high school love, Chris, now a teacher, who is in over his head after he must find a new last-minute location for the Christmas dance. Heidi offers to help him and together they discover a beautiful place for the dance, perfectly capturing the Christmas spirit, called Wonderland Farms. The more time Heidi spends in Pleasant Valley decorating for the Christmas SnowBall, the more she finds herself inspired to start painting again. With Christmas fast approaching, Heidi soon becomes torn between the life she built in the city and the life she is surprisingly charmed by back in Pleasant Valley, embracing her true passion."

    The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

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