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“假如音(📝)乐(lè )是(shì )爱情的食(🙄)粮，请继(😘)(jì )续(xù(⛵) )演奏吧！”以(🥧)配乐(lè )著称并为莎(🚄)士比亚(🌧)爱(ài )情(👻)喜(⏸)剧《爱的(🌉)徒劳》及《爱(ài )的胜利(✅)》（即(jí(💹) )《无事(shì(🤲) )生(🎒)(shēng )非》）注入无限活(huó )力(lì(🥊) )的超人(🕛)气导演克(🦄)里(lǐ )斯(sī )托弗•拉斯康贝(🍸)（Christopher Luscombe）携(📽)创作团队(😀)重返埃(āi )文河畔斯特拉福(🏜)德的(de )皇(✝)家莎士比(🎨)亚剧团，执导莎(shā )翁(🚈)另一部(🐍)滑稽(jī(➕) )又心酸(suā(🚿)n )的(de )单相思爱情故事(🧑)：

When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.

都(dō(🌔)u )说男人(〽)一有钱就(🔈)变(biàn )坏(huài )，女人一变(⛺)坏就有(🥡)(yǒu )钱(qiá(🌋)n )，这(🚩)句话用在张宝(bǎo )文和他的(🤰)秘书身(🛒)上绝(jué(✅) )对(🐉)合适(shì )。张宝文原本(běn )有一(🥘)个(gè )非(🚑)(fēi )常好的(💖)前程和家庭(tíng )，但是他却不(🍁)珍惜，与(💸)(yǔ )自己的(🌀)秘书走到了(le )一(yī )起。这一段(😇)办公室(🌘)(shì )的恋情(🆙)导致了张宝文(wén )在(🐳)事业上(🐗)和家庭(🤥)上彻(chè )底(🔣)破碎(suì )。秘书的贪婪(🕐)(lán )最终(⛎)落(luò )到(🐉)(dào )过街老(🍳)鼠人人喊打(dǎ )的(de )地(🧗)步。当张(🚳)宝文重(👳)(chó(🚯)ng )新(xīn )回归家庭的时候，一(yī(🚱) )个熟悉(🚢)的面孔站(🤣)在(zài )了门口挡住了他的视(🔵)(shì )线。

電(🖇)(diàn )影劇情(📻)是一部(bù )勵志愛(ài )情(qíng )故(🌒)事，講述(🗻)男女主(zhǔ(💵) )角(jiǎo )兩人因一次交通意(yì(💍) )外(wài )，女(🙆)方失去記(💂)憶，男(nán )方因此有預(❎)知未來(🌹)(lái )能力(👁)。吳卓羲表(🧖)示：「我哋呢套係(📙)一部愛(🍉)(ài )情至(💒)上(shàng )，又好(🦁)凄美又(yòu )浪漫嘅(gé(📩) )愛(ài )情(🌁)片，男女(🍛)之(👥)間又(yòu )唔(én )係牽涉床上戲(👬)嘅，溫(wē(💥)n )馨鏡頭嘅(❣)床戲係有(yǒu )，都要睇劇本睇(🤽)下有(yǒ(⌚)u )冇需要攬(📓)呀錫呀，其(qí )實情侶關係必(⬇)須要有(🚻)(yǒu )嘅，如(rú(🔂) )果(guǒ )唔係觀眾唔知你係(xì(🈁) )情(qíng )侶(⛵)。」

When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.