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Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife's connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family

Au Ve siècle, la ville d’Aquilée, prè(🕝)s de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tê(🚝)te au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un dé(🥤)sir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…

Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.

四(sì )名(mí(🚹)ng )大(dà )学生(shē(🐖)ng )在暑(shǔ )假进(jìn )行(🧥)社会实践，到(🕥)偏远的村庄(🌪)拍摄纪录片(🥂)，调查民间鬼(😓)怪文化。

讲述了少女小鹿遁入(🐀)神秘幻境，经(🔹)历了一系列(✡)光怪陆离的(🌒)诡异事件，一(🎃)次次穿越神秘的光门，最终从(🐥)不明身份者(🛎)的死亡威胁(🐢)中逃离的(de )故(🔼)事(shì )。为(wéi )了(👻)保(bǎo )证绝(jué )佳的(de )视觉(jiào )效果(🚙)(guǒ )，众(zhòng )乐乐(😾)(lè )影视(shì )联(♍)手(shǒu )韩(hán )国(🌊)(guó )特(tè )效(xià(🚁)o )团(tuán )队(duì )，共(gòng )同(🎼)(tóng )打(dǎ )造惊(🎍)(jīng )险刺(cì )激(🏒)的(de )奇幻冒险(💪)之旅。

在贝鲁(📷)特一个街角的咖啡店二楼，有(🍔)一面大大的(😈)转角窗和一(🏽)台电视机，一(🥋)位78岁的退伍(🤕)将军和一位81岁的退伍军医每(🧘)天早上都会(😾)在这里碰面(🎖)，看着街角车(💶)来人往，做着(🍆)填字游戏，以此对抗(kàng )阿茨(cí(🔙) )海默(mò )综合(🍺)(hé )症。伴随(suí(⬜) )两位(wèi )老人(🕋)(rén )的玩(wán )笑(🌲)和(hé )字谜(mí )，咖(kā(🚙) )啡(fēi )馆(guǎn )的(🥙)(de )顾(gù )客(kè )纷(🤵)(fēn )纷(fēn )登(dē(🌭)ng )场(chǎng )。本片(pià(💻)n )用发(fā )生在一个社会小角落(👡)16天之内的一(💧)系列事件，四(😝)两拨千斤地(📼)讨论了人生(🅰)、政治、历史等话题；通过(🌾)单场景多幕(🤕)剧的结构让(🛩)人感受到老(😙)人们的孤独(💺)，以及疾病带来的苦涩，同时映(⏬)射出黎巴嫩(💥)暴力事件肆(💆)虐(nuè )的现(xià(🚡)n )状。以小(xiǎo )见(➰)大(dà )，令(lìng )人回(huí )味。