首页 / 《一个人》

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

巴勒斯坦(tǎn )電(diàn )視台攝製臥底肥皂(🏻)劇(📀)，連(🧓)(liá(🕤)n )以(🛅)(yǐ(🥕) )色(♈)列(liè )婦孺都晚晚追看。編(biān )劇因情(qíng )節背離(🦃)革(🐫)命而辭職(zhí )，監製的(de )多口侄仔助理受(🎿)命(💄)執(🐄)(zhí(🕒) )筆，頻(pín )頻(pín )借女角之口，向電(diàn )視機前(qián )的(🎋)(de )舊(🉐)愛(🍎)示(🚖)好(🧖)，以(🥇)色(🍣)列(🏳)(liè )檢查站(zhàn )軍(jun1 )官則企圖恃權影響劇情發(fā(🐳) )展(zhǎn )，以便在追看的嬌妻面前(qián )自(zì )吹(☔)自(㊙)擂(🐜)。助(🕶)理即使槍抵腦(nǎo )殼(ké )，都不肯接受軍官要求(✉)的(🧥)(de )大(🖖)(dà(🤷) )團(🎩)圓(🤯)結(🥄)局。抗爭，必須繼(jì )續(xù )！影(yǐng )展新秀蘇亞比巧(🍣)妙調(diào )侃以巴(bā )關係，他的喜劇座(zuò )右(🏃)(yò(💋)u )銘(🦄)是(💓)：要能大笑，必須面對(duì )苦痛，並(bìng )與之周旋(🔇)。獲(🍗)威(📲)尼(🍍)(ní(⛸) )斯(🚫)地(🎼)平(💙)(píng )線(xiàn )單元最佳男主角獎(jiǎng )。

Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.

《特(tè )种(zhǒng )保镖(🧥)2》以丛林中无人区的(de )兵(bīng )工厂为故事展(🤤)开(🤲)的(🦃)据(😜)点，讲(jiǎng )述了佣兵小队因任务要求(qiú )前(qián )往(👈)荒(🌩)无(🗳)人(👞)烟(🚢)、(🏫)危(✝)险重重的(de )工(gōng )厂，竟遭遇刀枪不入的“不(bú )死(🗡)军(jun1 )队”的包围，全员陷(xiàn )入危机(jī )仍浴血(💮)奋(☕)战(🔅)的(💌)故事...

阿(ā )黛尔和(hé )她的母亲孔查生活在(zà(🏼)i )城(🤺)郊(📑)的(😝)(de )一(🌤)(yī(🔚) )个(🦌)贫(🔑)民窟里。孔查(chá )的丈夫(fū )是(shì )个可恶的暴徒(🈺)，他(tā )使母女(nǚ )俩(liǎng )长期生活在暴力和(😱)虐(🍋)待(🏺)之(🎻)(zhī )中(zhōng )。对此忍无可忍的孔查决(jué )定(dìng )不顾(😵)一(🥀)切(😄)风(💬)险(🚇)，偷(🗿)走(📡)一大(dà )笔(bǐ )钱，并带着女儿阿黛尔逃(táo )离(lí(💴) )。不幸的是，她们在出逃(táo )中(zhōng )被发(fā )现(💛)了(👋)。在(🚪)追(🍊)捕过程中(zhōng )，孔查(chá )却意外地驾车撞死了(le )丈(🐄)夫(🐆)…(🏴)…(🙁)这(🔨)场(👆)逃(😨)离(🕎)注定是一(yī )次冒险(xiǎn )，而母女俩竭尽全力(lì(🍰) )，才能(néng )挣(zhèng )脱一直禁锢她们的(de )牢笼。在(🌐)(zà(🧞)i )这(🏾)段(🕜)跨越生命的寓言中，力(lì )量、困难、爱的希(🛰)望(🧚)、(🍯)机(🏏)(jī(🏁) )会(🛎)(huì(🔡) )和死亡如影随形。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

Naples, Achille Tarallo, bus driver and father of three, implements his modest income by singing at weddings. He's part of a trio, along with his two inseparable friends Cafe and Pennabic. ......

When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.

1995年，Jonas是(shì )个(gè )躲在柜中的14岁(🏫)男孩，他对(duì )英(yīng )俊潇洒的同学Nathan一见钟(🔲)情(🏈)，尤(🔷)(yó(🚂)u )其对(duì )Nathan桀骜不驯的一面又爱(ài )又(yòu )怕。18年后(🎒)，三(👱)十(💱)而(🤺)立(🍺)的(🏖)Jonas已(📎)(yǐ )是风流(liú )倜傥的熟男，却仍在(zài )寻找人(rén )生(🦄)(shēng )平衡点，因为挥之(zhī )不去的(de )回(huí )忆阴(😄)影(🐥)，他(😛)回到睽(kuí )违已久(jiǔ )的(de )家乡，试图在每个记忆角(⛹)(jiǎ(😆)o )落(🏕)(luò(✴) )，寻(🎰)找(🛤)早(🔱)已失去的线索、14岁(suì )的自己，以及他曾经爱(🐕)过(guò )的(de )那个男孩…

Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où elle découvre que son fils chéri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son école. Fanny ne laissera pas seul son fils face à ses petits bourreaux : elle va rendre à(🐙) ces sales gosses la monnaie de leur piè(🚣)ce. Coups fourré(🍪)s et piè(🥓)ges de cours de récré, désormais ce sera "oeil pour oeil et dent pour dent".