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  • 《颐和园未删除版本》
    《颐和园未删除版本》
    分类: 恐怖片 恐怖
    地区: 西班牙
    年份: 2012
    导演: 奥里奥尔·保罗
    主演: Dublin
    状态: 已完结
    • 线路四

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    Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.

    In Germany, 1941, the Nazis pursue a Toymaker who has acquired a mystical book which gives life to inanimate objects.

    In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.

    2014年克里米亚危机中(🥣)一个(😮)关于爱(⬛)、信仰与(yǔ )忠(zhōng )诚(chéng )的(de )故(gù(🔆) )事(shì(🛰) )

    The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.

    十七岁(🌝)的坎(🖊)蒂丝经常做梦,她在发病(🎭)时做(📌)的梦(✝)往往是(🎫)最清(qīng )晰(xī )真(zhēn )实(shí )的(de )。在一(🔇)次梦(📯)中,她遇(🐆)见一位正在梦游的英俊男孩(🥩)。这个(🥍)梦一直(📞)(zhí )萦(🛴)(yíng )绕(rào )在(zài )她(tā )脑(nǎo )海(🔽)中,尤(💩)其是因为她(🗂)希望逃离现实,活在美好(😊)的梦(🦈)中。她(🛍)一(yī )边(🏢)(biān )想(xiǎng )着(zhe )离(lí )开(kāi )这个无聊(🍐)阴沉(💮)的海边(🍅)小镇,另一边还在震惊于当地(🌀)一个(🖤)男孩(há(📕)i )的(de )失(💐)(shī )踪(zōng )事(shì )件(jiàn )。“在北爱(🚡)尔兰(🌖)问题(🚆)时期,这(📨)里还更安全一点。” 坎蒂丝(sī )的(🌋)(de )警(jǐ(🔵)ng )察(chá )父(🍓)(fù )亲(qīn )说(shuō )道,因为当地的恶(📋)棍团(🐾)伙不断(🥠)惹出(〰)暴力事件,导致当地越(yuè(😀) )来(lá(🎆)i )越(yuè )危(wēi )险(🛰)(xiǎn )。坎蒂丝在现实中遇到(🦀)了一(🍎)个长(⭕)得很像(🥏)梦游男孩的人,感觉世(shì )界(jiè(🥎) )从(có(😍)ng )此(cǐ )被(💱)(bèi )点(diǎn )亮。坎蒂丝虽然迷恋这(🌑)个惴(😂)惴不安(💪)的陌(🛹)生男孩,但后来得知(zhī ),他(👬)(tā )居(🤜)(jū )然(😒)(rán )是(shì(🗄) )父亲决心要除掉的其中一名(🛌)恶棍(📫)。

    影片由(🙇)各位不同角色和(hé )他(tā )们(men )的(👨)(de )Ex故(gù(🐐) )事(shì )的(🚺)(de )穿插(🚖)起来,角色之间两两之间(⛓)有各(🤝)种联系。故事(🔫)探讨了各(gè )个(gè )角(jiǎo )色(🗽)(sè )和(🚳)(hé )前(🎢)(qián )任们(👱)各种不同的关系。

    本片主要讲(🐯)述了(🆚)机电专(🐛)业的大学生陈(chén )峰(fēng )的(de )笨(bè(📐)n )拙(zhuō(🚉) )懦(nuò )弱(🥑),是学(⚪)校的最不受欢迎学生,在(🚻)一场(🍛)意外下,和同(🍈)样不受(shòu )欢(huān )迎(yíng )的(de )女(nǚ )生(🚚)(shēng )梁(📡)欢欢成(🍣)了好朋友。

    Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

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