Based on true events. Aesha goes to an isolated b&b in Kent after her mom books her in so she can get some head space for her studies. In the night Aesha is visited by a nun at the door who will progressively begin to show her true colours as the night unfolds - As the nun continues to bother Aesha at the door, Aesha begins to question her surroundings in this isolated suspense horror.
Inspired by Brexit and Donald Trump, Last Village on the Right is a delightfully tongue-in-cheek comedy-horror, following a group of American film makers on the way to the Cannes film market to sell a horror film, when they get lost and find themselves in a stunning small mountain town in the South of France, where a strange couple, Adolphi and his wife Kiki, seduce and murder tourists. Last Village on the Right will be a universally enjoyable, terrifyingly hilarious romp through the Pyrenees, which will have audiences rolling in the aisles.
The nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...
暴力(🚖)の街に朝は(🌯)来ない―。激(🕺)動の大(dà )阪(🗼)(bǎn )裏社(shè )会を牛耳る喧嘩屋集団・バト(📻)ルファミリ(😵)ー。金(jīn )・権(🦉)(quán )力・暴力(🖋)―。孤独な狼(🌔)たちは今(jīn )宵も(🎡)血に飢(jī )え(🍝)、力を求め(📳)る―
影片真(🔖)实再现震惊(👰)(jīng )世界(jiè )的“印(yìn )度9·11”孟买恐(🦖)袭事件，2008年11月(🔣)，著名的(de )泰姬(🎦)(jī )陵酒(jiǔ )店(🚨)(diàn )意外(wài )遭(🐈)到恐怖分子(🛒)入侵(😽)，恐怖分子(zǐ(🕦) )无(wú )差别(bié(🌎) )行凶(xiōng )，让整(🥜)个酒店陷入(🔫)绝望之境，百余名(míng )酒(jiǔ )店住(zhù )客及(jí )员(🐔)工被困，无人(🦂)得知何时能(🌤)等来救援(yuá(🖲)n )，一场(chǎng )与死(🚟)(sǐ )神的赛跑就此(🚒)开启…
The movie is tale of a historical event of the battle that took place as Pakistani tribesmen, known as Kabailies, guided by Pakistani armed forces, crossed over to Baramula. Claiming they
贾登(🌽)·史密(mì )斯(😣)将(jiāng )联袂《女(♏)子(zǐ )监狱》主(🕎)演伊丽莎白·罗德里格(gé )斯(💮)，加盟(méng )一(yī(🍽) )部未(wèi )命名(⌚)滑板题材影(💧)片。导演克丽(💬)丝(sī )特尔(ě(🔗)r )· 摩(✊)(mó )泽(zé )尔曾(🆙)(céng )纪录片[狼(😟)群]获圣丹斯(🐕)电影节评(pí(😲)ng )审(shěn )团大(dà )奖，本片将是她的剧情片首秀(🎿)。影片讲述(shù(⛔) )女(nǚ )孩儿(é(🍧)r )卡米(mǐ )拉在(🛠)遇到一群玩(💖)滑板的朋友后所(🆖)经历(lì )的人(🙌)生(shēng )故事(shì(🥪) )。雷切尔·文(🐴)贝格、尼娜(📄)·莫兰(lán )、阿(ā )贾尼·罗素(🏏)(sù )等诸多滑(✔)板高手均将(👡)加盟。
《功(gōng )夫(🗻)小(xiǎo )镇》讲(jiǎ(🤸)ng )述了(le )在一个(🖌)人们普遍热爱武(🤤)术和茶的(de )特(⛔)色(sè )小镇(zhè(🌂)n )中(zhōng )，开(kāi )茶(💱)馆的武痴大龙因武术结缘了(le )一(yī )位体(tǐ(🐎) )育老(lǎo )师后(🏄)发生的一系(🌭)列故事。
作为(🐁)被世界(jiè )功(🌌)(gōng )夫之(zhī )乡—佛(👜)山电影盛会(⛸)邀请的青年(🔒)女导演钟萱(🤖)(xuān )，其在(zài )中(📄)国(guó )电影家协会、佛山市委(🔵)宣传部和(hé(🤐) )佛山(shān )文广(🙂)局(jú )的支(zhī(🚥) )持鼓励下，已(🔵)确定亲力为(🍑)佛山创(chuàng )作以(yǐ(👿) )中国(guó )好(hǎ(🚋)o )警察(chá )，即破(🍓)获三千多起(🔵)案件的佛山“玩儿(ér )命”’警察(chá )林伟光为(📢)人物原型的(👦)警匪动作(zuò(🚨) )电(diàn )影《极速(🛤)(sù )追凶》。在郭(🎡)文海常委、甘绮(🎤)霞部长(zhǎng )和(💾)(hé )陈新(xīn )文(🤩)局(jú )长的鼓(🔮)励和支持下(🚮)，导演钟萱将倾力(lì )为佛山(shā(🗺)n )创作(zuò )优秀(🔈)电影作品，钟(💼)萱与中国著(⬅)名(míng )导演(yǎ(😤)n )唐季礼(lǐ )、(🌓)功(gōng )夫巨星梁小(🐈)龙及中国电(🐼)影家协会(huì(🥟) )秘书(shū )长饶(🏕)(ráo )曙(shǔ )光等(děng )领导与电影前辈探讨了电(🗓)影的市(shì )场(😄)性(xìng )、娱(yú(🤸) )乐(lè )性、深(🌕)刻性和使命(🚢)性。
父亲溺爱儿(é(🎻)r )子(zǐ )赛米(mǐ(🥠) )，望(wàng )子成龙(🖌)。儿子面对升(🐺)学压力，父亲(🧕)十(shí )分(fèn )忧心(xīn )却也(yě )只能(🐺)想尽办法帮(🍝)助，直到有天(🎮)儿子无(wú )声(😾)告别(bié )，留(liú(🔒) )下了要“只身(🌍)前往叙利亚”参与(🌑)(yǔ )圣战(zhàn )组(🧔)织的(de )信息(xī(🧣) )，父亲踏上寻(🔯)找儿子的路，才发(fā )现父(fù )子之(zhī )间(jiān )早(🏎)已(yǐ )存在着(😌)难以调和的(🧐)矛盾。启发自(💤)(zì )真人(rén )真(🥘)事(shì )，突尼斯导演(⛷)阿提亚由一(🏩)段寻子经历(🛡)(lì )，反映(yìng )“阿(⛏)(ā )拉伯之春(💳)”后，国家如何受到伊斯兰(lán )恐(kǒng )怖主(zhǔ )义(🍰)和(hé )经济停(🚃)滞所影响，国(🌆)家悲剧与家(😦)庭悲(bēi )剧并(Ⓜ)存(cún )。青(qīng )年们被(🔙)视为非理性(🚱)的行动背后(💆)，当中(zhōng )的复(📵)杂(zá )情感(gǎn )究竟如何描绘？比利时电影(📖)大师(shī )达内(🚷)(nèi )兄弟(dì )协(🏍)(xié )力监(jiān )制(🖤)，冷静有力，最(🎂)终超越悲剧的(de )伦(👞)理(lǐ )剧。
