《密码之争》8

Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.

玄门掌(🏛)门江元为救元都百姓，牺(🈂)牲自己将(🏚)上古妖兽飞(⏹)天神猪封印于其子江五(👊)山体内。此(♋)后二十年，江(😨)五山在山村(🧢)长大，却因(♏)自(🈚)(zì )小长了(🐶)一(yī )条猪尾(📑)巴(bā )，一直被(👼)(bèi )同村人(🕑)(rén )视(shì )为怪(🗑)胎(tāi )。某日，江(jiāng )五山被(bè(🌋)i )同(tóng )村人(🏫)欺(qī )辱(rǔ )，怒(🍸)而(ér )变(biàn )猪(🍲)头，因(yīn )此(🛸)被(📨)赶(gǎn )出(chū(🈚) )山村。怀(huái )疑(👟)自己撞(zhuàng )邪(👓)的江五(wǔ(🏇) )山(🌙)前往元(yuá(🛎)n )都，寻找(zhǎo )改变自己之法(🕓)。

本片撷取(🤨)了发生在中(🌩)国北方小城镇中一个中(🎭)国青年出(🎰)狱后的一段(🥛)人生经历，讲(🌿)述了一个(🤡)小(🏥)人物在商(🦉)品经济的大(🔁)潮中与时代(🈸)的隔离(lí(🏈) )，以及人(rén )们(🕉)对金钱(qián )的崇尚(shàng )和(hé(💚) )理想、道(😑)(dào )德的流(liú(👾) )失(shī )，对社(shè(🍱) )会(huì )与人(🍅)性(🔐)(xìng )作(zuò )出(🛵)了深(shēn )度(dù(🈲) )拷问。尤(yóu )其(🍶)是本(běn )片(⛽)(piàn )以中国农(🙅)(nóng )历冬季的(de )四个节气(qì(🖕) )作为篇章(🚞)(zhāng )，具有强(qiá(😪)ng )烈的中国(guó )文化符号视(🎮)觉。

不管这(🦋)导演嗑了什(🤑)么很纯的，全(🚃)部都要给(🎸)你(🏑)来一点！在(🅿)澳洲这座曾经被称作「(🤴)无主之地(🎱)」（Terra Nullius）的大(🏃)陆，历史以前所未见(jiàn )的(🏵)观点重(chó(🐴)ng )新诠释：当(🙎)《疯(fēng )狂(kuáng )麦(💼)斯》末(mò )日(🌁)场(🧜)景(jǐng )成(ché(🔧)ng )为难民(mín )拘(🧡)(jū )留地，食(shí(💀) )人羊成(ché(🚣)ng )为(wéi )反殖民(🖤)(mín )叛(pàn )乱份子(zǐ )，《沙漠妖(🕔)(yāo )姬》与电(🕓)(diàn )视剧《请(qǐ(💾)ng )喜欢我》有了跨时(shí )空的(🙀)酷儿(ér )对(⛽)话……本片(🍐)以近似DJ取样(☝)混音之拼(📦)贴(💖)手法，打开(🥤)了虚构与史实间的神秘(🎾)黑洞，大量(❌)援引电影名(🙁)场景与历史典故，穿越时(🤺)空与各种(🎵)语境，重写、(🖇)改(gǎi )写、乱(🚛)写(xiě )，全面(🙀)(mià(🤚)n )毁(huǐ )坏观(👩)众(zhòng )的(de )三观(🗿)！这(zhè )是一部(🌬)(bù )政(zhèng )治(🌛)复仇(chóu )预(yù(⏫) )言，杂(zá )揉(róu )讽刺喜(xǐ )剧(😥)(jù )、生态(🎋)(tài )恐(kǒng )怖与(🙎)公路(lù )电影类型(xíng )，写下(🍰)澳(ào )洲国(🚆)族神(shén )话从(👺)未被(bèi )纪录(⏸)的史(shǐ )诗(👬)篇(🐠)章。

The film centers on a man who has superpowers only one day a year.

A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.