首页 / 魔王学院的不适任者

A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.

神秘工(gōng )厂深夜突(tū )发(🎷)离(🏌)奇(🚹)(qí(🕧) )案(🌩)件(🗒)，一(yī )名员工离(lí )奇惨死，人人都(dōu )传是不知(zhī )名异兽所为，一(yī )时(shí )间案件变(💌)得(🐢)神(🚮)乎(🌶)其(🕰)神(💃)。国(🙄)(guó(🖇) )际(➰)知(⛅)名(😖)灵(🕘)异(🏦)侦(🏺)探(tàn )社接到被(bèi )害人家属的委托(tuō )，介入此(cǐ )案调查，却被一系列假线(xiàn )索误导(😡)，将(⚡)凶(🌍)手(📋)锁(🍫)定在厂(chǎng )长(zhǎng )身上，然而厂长在不恰(qià )当(dāng )的时机自杀，使(shǐ )得案情更(gèng )加扑朔迷离。厂(🅰)(chǎ(🧘)ng )长(🙎)死(✔)后(🌐)，其(🤟)女儿光(guāng )子将侦(zhēn )探社社长(zhǎng )何生告上(shàng )法庭，导致侦探(tàn )社陷入信(xìn )誉危(🚻)机(😵)。

從(🔯)高(📉)峰(📔)(fē(🍮)ng )滑(🐺)(huá(🐇) )落(🔄)谷(⛴)底(📯)，比(📙)從(🌴)未(😥)風光過(guò )更(gèng )難受？前曼聯球(qiú )星簡東拿(ná )變身潦倒過氣藝(yì )術家尤利(lì )西(🏸)，那(🍾)種(🍽)(zhǒ(🐎)ng )時(🗒)不我與的虛空(kōng )落寞盡在(zài )眉宇間。藝術學(xué )生(shēng )蒙娜欲(yù )拜他為師，反過(guò )來(lái )成了(🔇)他(🤛)重(💮)生(🚦)的(😁)希(🎙)(xī )望。發現(xiàn )身患絕症後，他(tā )由蒙娜作(zuò )伴，走出(chū )隱居大(dà )宅，尋訪(fǎng )當年被(👞)他(⬛)(tā(🧐) )離(📒)棄(🕦)的(🚁)弟(🎥)弟(🥫)及(🥌)妻(🈹)(qī(🍒) )兒(😮)，坦(🚠)白(🎨)(bái )致歉望求寬恕。感(gǎn )性而不感傷，碧巴達以(yǐ )不(bú )慍不火的圓熟技(jì )巧呈現(💥)破(🔯)(pò(🚪) )碎(💩)人(✅)生(🏩)的悲喜，冷不防遇(yù )上慌失失(shī )劫匪來個黑色幽(yōu )默，也未(wèi )忘留下孩子的善(shàn )良(liáng )，溫(⚽)潤(🚌)(rù(⬇)n )人(🆚)間(🎹)。

Filmed on the beautiful islands of Greece, "With a Kiss I Die" is a dark love story about Juliet Capulet (from Shakespearean fame) who is forced to live for all eternity knowing that her true love died in her arms nearly 800 years ago. Broken and numb, she meets a young woman who captures her heart again, and teaches her that love and loss are all a part of life, and that a life without love is no life at all.

晴(🙁)晴和小(xiǎo )雨(yǔ )一起来到城市打工投奔老(lǎo )乡莹莹，途中遭(zāo )绑架团伙(huǒ )赵卓(✒)和(🙍)四(🕰)(sì(💢) )通(🔌)绑(👋)架(🛫)(jià(🌚) )，影(🔀)片(🚷)以(🏑)(yǐ(🐞) )恢(🖲)弘幽默(mò )的手法讲述晴晴(qíng )小雨与犯(fàn )罪分子斗智斗勇(yǒng )的(de )故事。

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

ユミは夫と(🦊)娘(🐦)の(💎)３(🍱)人(📻)暮らし。近々引っ越しを考えている。ユミは娘(niáng )のレイナが時折うわ言を発することが(😬)、(💡)少(💄)々(⛴)気(💧)に(❄)かかっていた。転居の報(bào )告(gào )も兼ねて友人ヒロミと久(jiǔ )々に再会するユ(💧)ミ(👶)。話(🛣)題(😧)(tí(🗂) )は(🚆)い(♋)つ(🚾)し(🌖)か(👎)「(🕎)あ(🎬)の(🌑)日」のことに。「私たちが埋めた時、本(běn )当に死んでたのかな？」。ユミは「(🌯)あ(🐬)の(😹)日(🕺)(rì(🥅) )」のことを清算(suàn )すべく、サエ、アコにも再会を決(jué )意し、廃(fèi )墟のような家に一(🕯)人(👭)で(🧒)住(🥈)(zhù(😲) )む(📨)サエに会いに行く。サエは、見知らぬ少(shǎo )女が現れて娘だと言って聞かず(🧚)、(🐒)し(🧞)ば(🔳)ら(🎁)く(🗄)一(🙆)緒(⏮)に(🗳)暮(🍎)ら(🤔)し(🤷)て(🗾)いたが死んだこと、そして少女は死んだままその家の３階に寝かされてい(🤸)る(🥨)と(🕋)い(🧖)う(🔊)ことを話(huà )し出す。(C)「黄泉(quán )がえる少(shǎo )女」製作委員会(huì )

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family