関西(💩)ジャニーズJr.のメ(📳)ンバーが(🤹)主演し、(🏬)売れない漫(😳)才コンビ(🥉)がライバルと競(👄)い合(🤓)(hé )い(🕍)、成長していく姿を(👐)描いた青(🛍)春ドラマ。幼(📀)なじみで(🐶)お笑(xiào )い好きの(🔏)高(gāo )浜(bā(👁)ng )優輔と稲毛(máo )潤(rùn )は(⚫)、高校卒(🕵)業後にお笑(🔊)い養成所(🌜)に入所し、漫才(🌎)コンビ「(👸)エンドレ(💐)ス」を結成(💰)する。新人(💱)芸人の登竜(🎴)門で(🔠)ある(🔘)コンテストでも(⏪)優(yōu )勝し(🎢)、テレビ(🐭)局からも声(🐨)がかかり(😧)、エンドレスは(🚚)順風(🤽)(fēng )満(🏨)帆かに思(sī )われた。し(🤩)かし、売(🐣)れることが(📲)第一と考(✳)える高浜と純粋(🍡)にお笑い(🆘)が好(hǎo )きな稲毛、2人(⚾)(rén )の間に(📊)気持ちのす(⛏)れ違いが(🙍)生じる。そんな中(😆)(zhōng )、同期(👥)でライバ(🔬)ル的存在(zà(😎)i )だった「(🏴)ピンクらく(❓)だ」(🧝)が突(🌋)然ブレイクし、(🔢)エンドレ(👐)スの人気(🥤)下降(jiàng )に高(🏃)(gāo )浜はい(📮)らつき出し、高(😺)浜の(✴)お荷(🔤)物になってるのでは(♉)と悩(nǎo )む(🧠)稲毛の脳(nǎ(🐸)o )裏(lǐ )に、(🔦)コンビ解散の文(🚒)字が浮か(😤)び始める。監督はドラ(🙍)マ「釣り(⬅)バカ日(rì )誌(💉)」などを(🐐)手がけた石川勝(🔋)己。
17歲的莎(🚼)拉全(quán )心(🦄)投入學(xué )校(🔏)(xiào )的(de )戲劇(📮)排練，赤(chì )裸(🎩)地體(🚩)驗舞(🦅)台上和生活中的(⛳)暴力。當她(🕞)試圖(tú )揭(🛥)露深藏(cáng )心(👴)(xīn )中(zhōng )的(💹)醜陋秘(mì )密(mì )，高(🎊)聲呼(🍿)喊卻(🌘)孤立無援，於是在莎士(🔲)比亞和華(📡)格納的經(jī(🐅)ng )典(diǎn )劇(jù(💺) )目中尋找(zhǎo )寄(jì(😓) )託(tuō )，她想(🆎)握有茱麗葉的匕首，想(😕)跟隨伊索(🥘)德(dé )的腳步(🏟)殉情(qíng )而(🚢)(ér )去，當她站(zhàn )上(🚘)(shàng )舞台，她(🌆)是否能對(😔)世界展開反(⚽)擊，扮演的(🅰)界(jiè )線究竟(📼)在(zà(🕐)i )哪(nǎ(🚯) )裡(lǐ )？
人據說一(👖)(yī )生(shēng )最(👳)多有十萬(😯)條頭髮，每一(🚌)條頭髮質(❌)感長度有(yǒu )異，但(🐷)都(dōu )承(ché(🎺)ng )載(zǎi )著煩惱的(de )回(huí )憶(😛)(yì )。「時光(😂)理髮」剪掉(🐕)的不只是(📱)頭髮，還有街坊不(🤚)快的(de )記(jì(❄) )憶(yì )。行將式(shì )微(wēi )的(🌤)(de )舊式廣東(🎡)理髮店店主(👹)海泉叔指(🚖)望兒子長發(fā )繼(🐽)承衣缽，不(💟)(bú )過兒子(🎓)卻更(gèng )想(xiǎ(🚹)ng )當文青，希(📮)望透過文字和音(😞)樂改(⚽)變世界。一(yī )次意外，長(zhǎng )發(🌏)(fā )被迫代(👍)父親(qīn )落(luò(😝) )場當師傅(⛔)，透過理髮為街坊(💀)排憂解難(😗)，更與(yǔ )離家出走(zǒu )少(🚕)(shǎo )女(nǚ )相(📃)遇相知(zhī )，重(🎎)(chóng )新反思(📔)自己的前路。傳統(🏩)理髮店交(🐂)織舊區鄰里人情，《點(diǎ(😗)n )五步》男(ná(㊙)n )角(jiǎo )岑(cén )珈(💧)其化身理(🚵)髮店傳人，演出清(🧛)新自然。
《寺(👳)岛》：刚(gā(❎)ng )刚(gāng )拿到第(🔎)一个(gè )连(💒)(lián )载的漫画家山(🏨)崎（(🈚)峯田和伸 饰），因为助手(shǒ(🐠)u )突然走掉(📽)(diào )而(ér )疲(pí(💠) )于奔命。某(💻)(mǒu )个(gè )下雨的日(🙄)子，自称寺(🆎)岛的女子（吉冈里帆(🕠) 饰(shì )）前(🔗)来担(dān )任(rè(📃)n )助(zhù )手职(👸)务。作(zuò )为(wéi )创作(👀)素材，寺岛(🤢)向漫画家讲述了一个(🕺)可怕的故(🚜)事。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
电(diàn )影(yǐ(❔)ng )《Dead Again》是一部(bù(🌜) )恐(kǒng )怖(bù )电影，主(🍀)要讲述了(👉)对爱情相(📇)当执着的主(🚮)人(rén )公走(🙋)向灭亡(wáng )的(de )故事(🛳)，人类(🍙)(lèi )心(xīn )理上的恐怖将通过(🥫)日记的形(🚤)式向观众展(🤓)现。电影将(🗣)于(yú )下(xià )个(gè )月(🚘)开机，计(jì(🏡) )划(huá )于明年上半年在(😋)韩国和美(➡)国同步上映(🚢)。
城市(shì )里(Ⓜ)出现了(le )一(yī )群(qú(🥣)n )怪鸟，他(tā(🏈) )们(men )开(kāi )始(🦖)筑巢，而人们(✋)被慢慢的(🚭)吸引到巢里(🌚)居住。
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